« PLANÈTE FRANCE »  LOÏC LAGARDE à BERCY Village

« PLANÈTE FRANCE » LOÏC LAGARDE à BERCY Village

BERCY VILLAGE INVITE AU VOYAGE AVEC L’EXPOSITION « PLANÈTE FRANCE » SIGNÉE LOÏC LAGARDE
Fidèle à ses engagements, Bercy Village ne cesse de diversifier son offre culturelle pour le plus grand plaisir de ses visiteurs. Après le succès de l’exposition « Complètement Foot » imaginée par Greg l’Illustrateur, le lieu de vie parisien invite le photographe Loïc Lagarde à exposer ses plus beaux clichés qui offrent un regard nouveau sur la France et ses régions. L’exposition « Planète France » s’affiche dès le 19 janvier au sein de la Cour Saint-Emilion.

BERCY VILLAGE PROPOSE UNE (RE)DÉCOUVERTE DE L’HEXAGONE
Pour démarrer l’année par de nouvelles occasions de s’émerveiller, les passages de Bercy Village deviennent, le temps d’une exposition dépaysante, les prochains terrains d’expression de Loïc Lagarde. Du 19 janvier au 15 mai 2023, passionnés et curieux pourront admirer les prises de vue inédites des quatre coins de l’Hexagone de cet amoureux d’explorations, d’instants de vie et du patrimoine.
Photographe spécialisé dans le voyage depuis plus de 10 ans, Loïc Lagarde a sillonné en profondeur des lieux tout aussi lointains qu’étonnants à la découverte de trésors cachés afin de transformer des paysages en œuvre art. Un talent qui lui vaut une grande popularité sur les réseaux sociaux, sur lesquels il cumule près de 500 000 abonnés.
À travers une sélection de 32 clichés saisissants, Bercy village promet à ses visiteurs une balade d’une grande richesse le long de ses allées. Entre scènes quotidiennes du
Une image contenant bâtiment, extérieur, maison, vieux

« PLANÈTE FRANCE » LOÏC LAGARDE à BERCY Village

BERCY VILLAGE INVITE AU VOYAGE AVEC L’EXPOSITION « PLANÈTE FRANCE » SIGNÉE LOÏC LAGARDE Fidèle à ses engagements, Bercy Village ne cesse de diversifier son offre culturelle pour le plus grand plaisir de ses visiteurs. Après le succès de l’exposition « Complètement...

“Master Your Colorful Fine Art Portrait Photography with Rembrandt-Style Lighting”

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“Master Your Colorful Fine Art Portrait Photography with Rembrandt-Style Lighting”

“Master Your Colorful Fine Art Portrait Photography with Rembrandt-Style Lighting”

Are you an aspiring artist seeking to create a masterpiece? Want to replicate the famous Rembrandt-style lighting? Perfect your artistry with a colorful twist and craft a painting like a true master! With our tutorial, you’ll be able to create works of art that exude life and vibrancy. Read on to learn how to unleash the Rembrandt within!

Unleash the Rembrandt Within!

Do you admire the beautiful art of Rembrandt? Perhaps you’ve seen his many oil paintings that capture the beauty of everyday life in a unique way. His use of light and color is unmistakable; it’s no wonder he is still celebrated today. We can learn a lot from the Dutch master – and create our own masterpiece with Rembrandt-style lighting!

When trying to recreate Rembrandt’s artistry, it’s important to remember the core principles of his style. His paintings were characterized by intense lighting, with a focus on the face and its features. He used light and shade to create a sense of volume and depth, a technique known as chiaroscuro. By mastering the basics, you can create a colorful painting that looks like it was painted by Rembrandt himself.

Bringing Life to the Canvas with Color

Rembrandt’s paintings were usually in black and white, but you don’t have to limit yourself to those colors. By adding color to your painting, you can bring life and vibrancy to the canvas. A splash of color against the darkness can really make your painting stand out, and add a unique twist to the classic Rembrandt-style.

In particular, try adding a light source. This could be natural or artificial light, or even a neon or pastel hue. Whatever color you choose, it will create a unique atmosphere in your painting and bring a dramatic element to your art. You can also experiment with different shades to create depth and shadow. Play with different colors and see what works best for your painting.

 

Colorful Lighting Techniques from the Master

Once you have chosen a color for your painting, it’s time to master the art of Rembrandt-style lighting. This technique involves playing with light and shade, so that the focus is on the face and its features. Use the light source to create shadows and highlights, and make sure to place it correctly. Rembrandt usually placed the light source on the right side of the face, which created a beautiful contrast.

Once you have mastered the basics, try experimenting with more advanced techniques. For example, you can change the color of the light source to create different moods and effects. The color can also be used to create a vivid atmosphere, which is great for creating a dramatic scene.

Here’s a lighting diagram for a Rembrandt-style portrait:

Key light: This is the main light source and should be placed 45 degrees to the right of the subject, and slightly above their eye level. The key light should be brighter than the other lights in the setup.

  1. Fill light: This light should be placed on the opposite side of the key light, and should be used to fill in shadows created by the key light. The fill light should be less bright than the key light, but still bright enough to remove any deep shadows.
  2. Background light: This light should be placed behind the subject and aimed towards the background. The purpose of this light is to separate the subject from the background and add depth to the scene.
  3. Rim light: This light should be placed behind the subject, and aimed towards the back of their head and shoulders. The rim light will create a bright outline around the subject and add separation between them and the background.

In terms of placement and intensity, the key light should be the brightest, followed by the rim light, fill light, and background light. To get the classic Rembrandt-style look, the key light should create a triangle of light on the subject’s face, with one side of the triangle on their cheek, and the other two sides on their forehead and chin.It’s important to note that the lighting setup can be adjusted based on the specific look you are trying to achieve. Feel free to play around with the positioning, intensity, and type of lights to find the perfect setup for your portrait.

Creating a Colorful Masterpiece!

Once you have mastered the art of Rembrandt-style lighting, it’s time to create your own masterpiece! Choose a subject, add some colors, and craft a painting that you can be proud of. Remember to experiment with different colors and hues, and play with light and shadow to bring your ideas to life. With a little practice and dedication, you’ll be able to create a colorful Rembrandt-style painting that looks like it was painted by the master himself!

Creating a Rembrandt-style painting doesn’t have to be daunting. With the right techniques and a bit of practice, you can create a masterpiece that you can be proud of. Don’t forget to add colors to bring life to your painting, and play with light and shadow to create a vibrant masterpiece that looks like it came straight from a museum! So, unleash the Rembrandt within and start creating beautiful art that will last for generations. 

Choose your subject: Choose a person who has strong and distinctive features. A person with prominent cheekbones, strong jawline, and deep-set eyes works best for this style of portrait.

  • Set up your lighting: The key light should be placed 45 degrees to the subject’s right, and slightly above their eye level. The fill light should be placed on the opposite side of the key light. The background light should be placed behind the subject, and the rim light should be placed behind the subject and towards the back of their head and shoulders.
  • Position your subject: Have your subject face directly towards the camera and turn their head slightly to the right so that the key light is shining on their face. This will create a triangular pattern of light on their face.
  • Take the photo: Use a camera with manual controls to take the photo. Adjust the aperture, shutter speed, and ISO to get the desired exposure for the lighting conditions. Make sure the key light is brighter than the other lights in the setup.
  • Import the photo into a photo editing software: Use your favorite program. I use a mix of apps from Affinity, Skylum, and ON. depending on the style of image I am looking for.
  • Adjust the levels: Use the levels adjustment tool to adjust the brightness and contrast of the photo. The goal is to make the triangular pattern of light more prominent.
  • Paint in color: Use the brush tool to paint in a color to the photo. Start with the face and work your way outwards. Use different shades to create depth and shadow. Stay true to the classic Rembrandt style, which uses warm and rich colors, such as deep reds, oranges, and yellows.
  • Adjust saturation: Use the saturation and hue sliders to adjust the overall color balance of the photo.
  • Final touches: Use the dodge and burn tools to brighten or darken certain areas of the photo. Adjust the opacity and flow of the brush to get the desired intensity of color. Use the clone tool to remove any blemishes or distracting elements in the photo.
  • Save and share: Save the final image and share it with others.

Remember to be creative and have fun with it. Experiment with different color combinations and effects, and don’t be afraid to try something new. Following these steps, you can create a unique and vibrant Rembrandt-style color portrait.

Amandine Giloux “MANGE EMOI”

"MANGE EMOI", l’exposition de la photographe Amandine Giloux s’installe, cet été à Arles dans la nouvelle maison de la décoratrice Claude Cartier sous l’im­pulsion de Manifesta Lyon, Arles, la ville culturelle par excellence, accueillera en 2023  la première...

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Back to America. Les USA en couleurs

Back to America. Les USA en couleurs

Elle a fait rêver toute une génération… Replongez dans une Amérique fantasméede 1936 à 1943 à travers 200 photographies de la Library of Congress coloriséespar Sébastien de Oliveira.

Stations-services et diners, stetsons et rodéos, stades et couloirs de lycées, carrosseries rutilantes et glamour hollywoodien… l’Amérique présentée dans ce livre n’existe plus, et n’a même jamais existée. Elle est le produit croisé de l’imagination de Sébastien de Oliveira et du regard des photographes de la Far Security Administration chargés de documenter les actions du gouvernement américain des années 1930-1940.
Pour faire (re)vivre sa vision de l’Amérique de cette époque entre grandeur et décadence, Sébastien de Oliveira s’est attelé à un travail d’orfèvre en recolorisant à la main ces photographies.
Bienvenue en terre étrangère, dans une Amérique de fiction, de rêve et de cinéma.

Sébastien de Oliveira, coloriste et graphiste, professionnel de la retouche photographique, collectionne les vieilles photographies en couleurs qui lui serve d’inspiration et de références pour éviter les anachronismes.
Ses colorisations sont davantage une version rêvée de la réalité qu’une volonté de donner la perfection de ce qui aurait été vu par un appareil photo moderne.

« PLANÈTE FRANCE » LOÏC LAGARDE à BERCY Village

BERCY VILLAGE INVITE AU VOYAGE AVEC L’EXPOSITION « PLANÈTE FRANCE » SIGNÉE LOÏC LAGARDE Fidèle à ses engagements, Bercy Village ne cesse de diversifier son offre culturelle pour le plus grand plaisir de ses visiteurs. Après le succès de l’exposition « Complètement...

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Sacha Goldberger est un photographe français connu pour ses travaux artistiques originaux et décalés. Né à Paris en 1970, il a commencé sa carrière en tant que photographe de mode et publicité, mais c'est sa série de portraits de super-héros en costume qui l'a...

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Elle a fait rêver toute une génération… Replongez dans une Amérique fantasméede 1936 à 1943 à travers 200 photographies de la Library of Congress coloriséespar Sébastien de Oliveira. Stations-services et diners, stetsons et rodéos, stades et couloirs de lycées,...

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Quentin Caffier. Banquette Arrière.

Quentin Caffier. Banquette Arrière.

Banquette Arrière est une ode à l’amour, à la nostalgie et au temps passé à l’arrière des voitures. C’est à cet endroit que de nombreux baisers ont été échangés, que quelques activités ont laissé quelques traces de buée, que des souvenirs se sont créés. Au-delà de la génération, du modèle de voiture ou du genre, la banquette arrière est commune à chacun.

En cela, le travail photographique de Quentin Caffier pour sa série de tableaux, tend à replonger le spectateur dans ses souvenirs. La Peugeot 504, Ford LTD ou vieille Volkswagen se distingue dans des jeux de lumières doux, sensuels et travaillés. Les images sont à l’image même de ces souvenirs : mouvants, flous et oniriques. L’action est vive et attrapée au vol, elle rappelle à tout un chacun ce qu’il a pu avoir vécu. Au travers des montagnes, des rues ou stations essences d’un drive-in retro, on retrouvera l’expression du couple moderne : gay, vieux, multi-ethnique…

Quentin Caffier saisi ces instants de vie authentiques et sauvages et les transformes en tableaux uniques. La petite mort renaît et s’expose à la Galerie Vivienne, du 27 Octobre au 6 Novembre 2022. Après avoir remporté les prix Broncolor en 2008 et SFR Jeunes Talents en 2009, ses images ont été exposées à plusieurs reprises à Paris et Tokyo lors d’expositions collectives et personnelles. Son travail est fortement marqué par l’influence des cultures alternatives : rock, punk, mouvements des modernes-primitives.

Banquette Arrière 01 - Cadillac Sedan - 02621
Banquette Arrière IV - Cadillac - 0940
Banquette Arrière 01 - Fiat 500 - 07753
Banquette Arrière IV - Cadillac - 0940
Banquette Arrière IV - Cadillac - 0940
Banquette Arrière 01 - Fiat 500 - 07753

Informations pratiques :

“BANQUETTE ARRIÈRE”
Le 27 Octobre 2022 à partir de 19h 

VIVIENNE ART GALERIE
30 GALERIE VIVIENNE
75002 PARIS

« PLANÈTE FRANCE » LOÏC LAGARDE à BERCY Village

BERCY VILLAGE INVITE AU VOYAGE AVEC L’EXPOSITION « PLANÈTE FRANCE » SIGNÉE LOÏC LAGARDE Fidèle à ses engagements, Bercy Village ne cesse de diversifier son offre culturelle pour le plus grand plaisir de ses visiteurs. Après le succès de l’exposition « Complètement...

“Master Your Colorful Fine Art Portrait Photography with Rembrandt-Style Lighting”

Making art? Time to light up your masterpiece with a splash of color—Rembrandt-style!

Sacha Goldberger. “Portraits croisés”.

Sacha Goldberger est un photographe français connu pour ses travaux artistiques originaux et décalés. Né à Paris en 1970, il a commencé sa carrière en tant que photographe de mode et publicité, mais c'est sa série de portraits de super-héros en costume qui l'a...

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Elle a fait rêver toute une génération… Replongez dans une Amérique fantasméede 1936 à 1943 à travers 200 photographies de la Library of Congress coloriséespar Sébastien de Oliveira. Stations-services et diners, stetsons et rodéos, stades et couloirs de lycées,...

Quentin Caffier. Banquette Arrière.

Banquette Arrière est une ode à l’amour, à la nostalgie et au temps passé à l’arrière des voitures. C’est à cet endroit que de nombreux baisers ont été échangés, que quelques activités ont laissé quelques traces de buée, que des souvenirs se sont créés. Au-delà de la...

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Leica prototype sets new world record: Leica 0-series no.105 sold for € 14.4 million The serial production of the Leitz Camera, or Leica for short, the world's first 35mm camera, is considered a milestone of modern photography. Before the first cameras were available...

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Prix Swiss Life à 4 mains

Nature-ChristianVizlA Photo Comp with Scores and Feedback for Everyone Better Photography Magazine Photo of the Year 2020 closes 22 August 2020uatrième édition du Prix Swiss Life à 4 mains, 2020-2021. Une rencontre inédite entre photographie et musique    Soutien...

Leica Prototype sets the Most Expensive camera record.

Leica Prototype sets the Most Expensive camera record.

Leica prototype sets new world record: Leica 0-series no.105 sold for € 14.4 million

The serial production of the Leitz Camera, or Leica for short, the world’s first 35mm camera, is considered a milestone of modern photography. Before the first cameras were available in the mid-1920s, Ernst Leitz produced around 23 models of the prototype 0 series in 1923 and 1924. One of these rare cameras – the 0-series no. 105 – has now been sold at the 40th Leitz Photographica Auction for a price of € 14.4 million including buyers premium. The 105 has thus broken the world record for the most expensive camera of all times.
The Leitz Photographica Auction, which takes place twice a year, is considered to be the world’s largest and most renowned auction for vintage cameras and other optical equipment. To commemorate the auction house’s 20th anniversary and the 40th rendition of the auction, a truly exceptional exhibit was up for auction on 11th June at Leitz-Park in Wetzlar (Germany): The Leica 0 series no.105. This nearly 100-year-old camera is one of the world’s first 35 mm cameras ever made and has a prominent previous owner. Number 105 belonged to Oskar Barnack, who had designed the “Liliput camera” shortly before the First World War. It was the prototype of the Leica and thus also the prototype of the 35 mm camera per se. Barnack captured numerous motifs from his family life with the 0 series No.105. He used the experience he gained in the process in the further development of the camera and its subsequent models. Barnack’s name is engraved on the top of the viewfinder of no.105.0-series claims yet another world record The historical significance of the camera and its direct connection to Barnack were reflected in its pre-determined estimate of 2,000,000 to 3,000,000 euros. “To put these numbers into perspective: The most expensive camera in the world to date – also a 0-series, serial number 122 – was sold at the 32nd Leitz Photographica Auction in 2018 for 2.4 million euros including buyers premium,1 ” said Alexander Sedlak, Managing Director of Leica Camera Classics, an Austrian subsidiary of Leica Camera AG. Leitz Photographica Auction operates under the umbrella of Leica Camera Classics. “We are fully specialised in historical cameras and accessories. It was therefore a special pleasure for us to be able to auction Oskar Barnack’s personal camera, a prototype of the camera generation that laid the foundation for modern photography in the mid-1920s, as part of our anniversary auction,” said Sedlak. The intangible value – the historical significance – of 0 series no.105 goes far beyond the sum of € 14.4 million for which this camera was ultimately sold. Nevertheless, the world record sum proves the continuous trend of the last few years: “The prices are rising – the interest in vintage cameras is greater than ever before.

« PLANÈTE FRANCE » LOÏC LAGARDE à BERCY Village

BERCY VILLAGE INVITE AU VOYAGE AVEC L’EXPOSITION « PLANÈTE FRANCE » SIGNÉE LOÏC LAGARDE Fidèle à ses engagements, Bercy Village ne cesse de diversifier son offre culturelle pour le plus grand plaisir de ses visiteurs. Après le succès de l’exposition « Complètement...

“Master Your Colorful Fine Art Portrait Photography with Rembrandt-Style Lighting”

Making art? Time to light up your masterpiece with a splash of color—Rembrandt-style!

Sacha Goldberger. “Portraits croisés”.

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Ed Kashi. Abandoned Moments

Ed Kashi. Abandoned Moments

Nature-ChristianVizl

ABANDONED MOMENTS A Love Letter to Photography 

Photographs by Ed Kashi 

Texts by Ed Kashi and Alison Nordström

Perhaps most importantly, this book demonstrates an innovative and nuanced form for autobiography from someone whose entire working life has been predicated on his own invisibility. By offering the story of his life in this way, this thoughtful man has risen above some of the restrictions his chosen career has imposed.”—Alison Nordström

For forty years, celebrated photojournalist Ed Kashi has delivered the world’s stories through images that both imply, as well as directly show, humanistic challenges and joys. Abandoned Moments: A Love Letter to Photography (Kehrer Verlag, March 2022) is a window into Kashi’s unique voice and craft, and presents glimpses of ordinary life, as well as extraordinary events, struggles, and triumphs. A tenet of journalism is to remove one’s own voice, as much as is possible, from the narrative. But a photographer’s impulses are also inextricably linked to and driven by who they are. This cues how they see, what they notice, and how they compose. The book’s publisher notes,

“When geometry, mood, and possibility unite to unintentionally create something new, the magical and fictional qualities of still photography capture the unplanned essence of existence. In contrast to his journalistic approach of deep personal connection and keen observation, this work is about capturing the untamed energy of a moment with abandon.”In the essay she contributed for this book, “On Recollection,” photography scholar and curator Alison Nordström reflects on this intersection between the intentional and unplanned elements within Kashi’s work. By returning to his archive, long after the images have lost their primary relevance and immediate use, he re-inserts his voice, heart, and intellect into a world of pictures from which he had once intentionally concealed his presence.”

In Nordström’s consideration of how the book is structured and curated, she points out that in part this book is a reflection of the place Kashi is at in his career. “Recalled, reconsidered, and recontextualized, these images serve as a point of departure for the photographer’s retrospective meditations on his work.”

Kashi shares that this book is a 40-year “labor of love.” He speaks to the evolution of his style and methodology, revealing that, “Over time, I developed a more personal approach, one that is instinctive and without premeditation. I often shoot from the hip. Sometimes it is simply a matter of letting my camera absorb light in hopes that the intensity and immediacy of life-simply-being-lived has been devoured in all its fullness. It is precisely the uncontrolled circumstances sparking these images that gives them their vitality and surprise.”The images selected span the decades of his work and were taken around the world. Kashi speaks to the ‘abandoned moment’ theme cued by the title, stating that, “Abandoned moments demonstrate a different kind of precision. They are shaped by serendipity and instinct, rather than objectivity and intellect. They are free to be less controlled but for that very reason they may be more certain and more certainly true…”

 

About the Photographer and Author

Ed Kashi is a renowned photojournalist, filmmaker, speaker, and educator who has been making images and telling stories for 40 years. As a member of VII Photo Agency, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition. Along with numerous awards from World Press Photo, POYi, CommArts and American Photography, Kashi’s images have been published and exhibited worldwide. His editorial assignments and personal projects have generated nine books. Kashi in partnership with his wife, writer and filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous award-winning short films, exhibits, books, and multimedia pieces that explore significant social issues.  

Alison Nordström is an independent scholar, specializing in photographs of all kinds. She is known for her writing, speaking, and curating and for the administration of photographic projects both in the US and internationally. Her long career in the field includes positions as Founding Director and Senior Curator of the Southeast Museum of Photography (FL), and Senior Curator of Photographs, Director of Exhibitions at George Eastman House (NY). In 2011, Nordström received the Focus Award for Lifetime Achievement in Photography from the Griffin Museum in Boston and the Apple Valley Foundation Award for Curatorial Excellence. She is currently a Research Associate in Photography at Harvard University.

Book Specifications:                                                               

 ISBN: 3969000440                                          Hardcover           
42 color and 26 b/w illustrations       12 x 0.5 x 9.75 inches
Price: $58 US, €45.00, £40

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