Photolemur. A short review

Photolemur. A short review

Photolemur is a very simple application to instantly get the most from any image. It uses AI to analyze your image and correct exposure, contrast, saturation, and clarity

Photolemur naturally knows just what to do for images. From faces to objects, to the sky — it analyzes and adjusts different aspects of your photo to achieve the best possible result. With a completely automated system, Photolemur gets you that epic end result faster than any human being.

Bulk picture enhancement.
Photolemur is designed to dramatically simplify batch image editing: enhance any amount of images at once, process RAW files, work with any volume of images. It takes care of the hard work, so you can enjoy the rest.
Photo Enhancement on Autopilot
The interface is the most simple ever. One screen to drop your images, and that’s all. No other control or sliders.
 Photolemur offers you the option to just drag & drop your photos and let the whole process of the photo editing be done by the technology itself. Only after Photolemur has finished the correction, yo have access to one opacity slider to select the amount od enhancement you want.

Final thoughts

This is a perfect app for any photographer that doesn’t nee any strong post-processing. The app does all the basic job and allows to export the file to any format.

For those in need or stronger, more complex post-processing, this can be a little frustrating. One solution is to configure the app as Lightroom or Photoshop plugins, and use Photolemur for the basic editing, re-import the image to Lightroom or Photoshop and do the adjustments you want.

Skylum is now working with Photolemur for their AI Lab That will for sure announce future improvements for the Luminar AI filter.

For a retail price of $34,99, it is a little expensive.;;

Try it for free for 30 days and see by yourself by visiting  https://photolemur.com/free-version

 

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Skylum focuses on AI with Photolemur

Skylum focuses on AI with Photolemur

Skylum Software announced the formation of a new research and development division dedicated to the advancement of artificial intelligence technologies in image processing. The Skylum AI Lab leverages the company’s prior work developing smart filters in its award-winning Luminar software, as well as technology from its “sister company” Photolemur, which was founded in 2016 by Dima Sytnik and Alex Tsepko, co-founder and CEO of Skylum respectively.

“Clearly, AI can simplify our lives. By using AI-based technologies in our products, our customers save time vs. manual editing, and can often get better results,” said Alex Tsepko, CEO at Skylum. “Our neural networks are being trained on millions of images taken by cameras from Fujifilm, Sony, Olympus, Nikon, Canon and many others, which means outstanding results for all photographers, regardless of what style they shoot and what gear they are using.”

To spearhead the new Skylum AI Lab, the company has hired Alex Savsunenko, former CEO of Let’s Enhance, a leader in machine learning for visual content. Savsunenko will manage all research and development for technologies based on artificial intelligence, machine learning, and neural networks. Promising results will ultimately be implemented in Skylum products and solutions for image and video enhancement, with the aim to help users make their workflow faster, smarter and more efficient.

Currently, the Skylum AI Lab is testing over a dozen of new solutions, including:

  • Image upscaling: uses deep convolutional neural networks to improve low-resolution images and scale them up for superior viewing and printing.
  • Tagging: generates tags that describe the image and its objects based on image recognition.
  • Segmentation: smart recognition of image areas that can be automatically enhanced using different filters and corrections based on the type of object.
  • Automatic enhancement: applies smart image corrections to photos based on a variety of issue

To further reinforce its AI prowess, Skylum has also joined forces with Photolemur, creator of the world’s first fully automatic photo enhancement solution. Photolemur app has been sold for several years, with hundreds of thousands of customers worldwide. It enhances images utilizing artificial intelligence without the need to use any manual controls. Development will continue on Photolemur, with the next evolution of the app likely to be a cloud solution that helps high-volume users enhance images as batch process.

 

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Venezuelan photographer Ronaldo Schemidt wins World Press Photo of the Year Award

Venezuelan photographer Ronaldo Schemidt wins World Press Photo of the Year Award

The World Press Photo Foundation announced the results of its renowned contests, the 61st annual World Press Photo Contest and the 8th annual World Press Photo Digital Storytelling Contest, at its annual Awards Show in Amsterdam.

  • The jury of the 2018 Photo Contest selected Venezuelan photographer Ronald Schemidt’s image as the World Press Photo of the Year

The World Press Photo of the Year
The World Press Photo of the Year honors the photographer whose visual creativity and skills made a picture that captures or represents an event or issue of great journalistic importance in the last year.

The jury, chaired by Magdalena Herrera, awards the prize to Ronaldo Schemidt’s picture entitled ‘Venezuela Crisis’–which also won first prize in the Spot News Single category. The image shows how José Víctor Salazar Balza (28) on fire amid violent clashes with riot police during a protest against President Nicolás Maduro, in Caracas, Venezuela. Salazar was set alight when the gas tank of a motorbike exploded. He survived the incident with first- and second-degree burns. Schemidt (b. 1971) is a staff photographer for Agence France-Presse, based in Mexico.

Magdalena Herrera, director of photography Geo France and chair of the jury, said about selecting the World Press Photo of the Year:

“The photo of the year has to tell an event, that is important enough, it also has to bring questions…it has to engage and has to show a point of view on what happened in the world this year.”

She describes the winning photograph: “It’s a classical photo, but it has an instantaneous energy and dynamic. The colours, the movement, and it’s very well composed, it has strength. I got an instantaneous emotion…”

Jury member Whitney C. Johnson, deputy director of photography National Geographic, also added: “It’s quite symbolic, actually. The man, he has a mask on his face. He’s come to sort of represent not just himself and himself on fire, but sort of this idea of Venezuela burning.”

Jury member Bulent Kiliç, chief photographer Turkey Agence France-Presse, also added:  “And there is one small detail in the picture. There was a gun on the wall. It reads “paz’. It means peace. That also makes this picture stong.”

Jury member Eman Mohammed, photojournalist, also added: “It just gives you that sense of more power to the people. To the ones who speak out.”

Also nominated for the World Press Photo of the Year are (in alphabetical order by photographer):

Rohingya Crisis
Patrick Brown, Australia, Panos Pictures, for Unicef

Boko Haram Strapped Suicide Bombs to Them. Somehow These Teenage Girls Survived. – Aisha, age 14.
Adam Ferguson, Australia, for The New York Times

Witnessing the Immediate Aftermath of an Attack in the Heart of London
Toby Melville, UK, Reuters

The Battle for Mosul – Lined Up for an Aid Distribution
Ivor Prickett, Ireland, for The New York Times

The Battle for Mosul – Young Boy Is Cared for by Iraqi Special Forces Soldiers
Ivor Prickett, Ireland, for The New York Times

New announcement process this year
The foundation announced the nominees in each category of the Photo Contest, the Digital Storytelling Contest, and the six nominees for the World Press Photo of the Year on 14 February.  All winners, including the World Press Photo of the Year, were revealed at the Awards Show in Amsterdam.

Patrick Brown Panos Pictures_for Unicef

28 September 2017

The bodies of Rohingya refugees are laid out after the boat in which they were attempting to flee Myanmar capsized about eight kilometers off Inani Beach, near Cox’s Bazar, Bangladesh. Around 100 people were on the boat before it capsized. There were 17 survivors.  

Story:
The Rohingya are a predominantly Muslim minority group in Rakhine State, western Myanmar. They number around one million people, but laws passed in the 1980s effectively deprived them of Myanmar citizenship. Violence erupted in Myanmar on 25 August after a faction of Rohingya militants attacked police posts, killing 12 members of the Myanmar security forces. Myanmar authorities, in places supported by groups of Buddhists, launched a crackdown, attacking Rohingya villages and burning houses. According to the UNHCR, the number of Rohingya that subsequently fled Myanmar for Bangladesh reached 500,000 on 28 September.

 

Adam Ferguson for The New York Times

 

Aish21 September 2017a, aged 14. 

Portraits of girls kidnapped by Boko Haram militants, taken in Maiduguri, Borno State, Nigeria. 

The girls were strapped with explosives, and ordered to blow themselves up in crowded areas, but managed to escape and find help instead of detonating the bombs. Boko Haram—a Nigeria-based militant Islamist group whose name translates roughly to ‘Western education is forbidden’—expressly targets schools and has abducted more than 2,000 women and girls since 2014. Female suicide bombers are seen by the militants as a new weapon of war. In 2016, The New York Times reported at least one in every five suicide bombers deployed by Boko Haram over the previous two years had been a child, usually a girl. The group used 27 children in suicide attacks in the first quarter of 2017, compared to nine during the same period the previous year.

 

Toby Melville Reuters

 

22 March 2017
A passerby comforts US tourist Melissa Cochran, injured in an attack on pedestrians at Westminster Bridge in London, UK. Melissa survived, but lost her husband, Kurt, in the attack.  

Story:

On 22 March, Khalid Masood drove a rented SUV along the sidewalk of Westminster Bridge, near the British Houses of Parliament in central London. Three people were killed instantly, and two more died in the days after the attack; at least 40 were injured. Armed with two knives, Masood left the car and attempted to enter the grounds of parliament, where he fatally stabbed one of the policemen who tried to stop him, before being shot and killed. Born Adrian Russell Elms in Kent, UK, Masood changed his name when he converted to Islam. Although ISIS claimed responsibility for the attack the following day, police investigating found no evidence of any links between Masood and either ISIS or al-Qaeda.

 

Ivor Prickett for The New York Times 

15 March 2017

Civilians line up for aid distribution in the Mamun neighborhood of west Mosul. 

On 10 July 2017, after months of fighting, the Iraqi government declared the city of Mosul fully liberated from ISIS, although fierce fighting continued in pockets of the city. Mosul had fallen to ISIS three years earlier, and the battle to retake it had begun in October 2016.

In effect, the reconquering of Mosul comprised two parts: the battle for the eastern half of the city, and that for the west, across the Tigris River. East Mosul was recaptured by the end of January 2017, but the offensive on west Mosul, particularly the densely built-up Old City, proved more difficult. Large areas of the city were left in ruins, and huge numbers of civilians were caught in the crossfire as battle raged.

A United Nations report gives an absolute minimum of 4,194 civilian casualties during the conflict, with other sources putting the figure much higher. The Office of the UN High Commissioner for Human Rights pointed to extensive use of civilians as human shields, with ISIS fighters attempting to use the presence of civilian hostages to make certain areas immune from military operations.

After months of being trapped in the last remaining ISIS-held areas of the city, the people in west Mosul were severely short of food and water. Those who chose to remain in the city rather than go to one of the many camps for displaced people, initially relied on aid in order to survive.

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World Press Photo 2018. The nominees.

World Press Photo 2018. The nominees.

Adam Ferguson for The New York Times

Portraits of girls kidnapped by Boko Haram militants, taken in Maiduguri, Borno State, Nigeria.

The girls were strapped with explosives, and ordered to blow themselves up in crowded areas, but managed to escape and find help instead of detonating the bombs. Boko Haram—a Nigeria-based militant Islamist group whose name translates roughly to ‘Western education is forbidden’—expressly targets schools and has abducted more than 2,000 women and girls since 2014. Female suicide bombers are seen by the militants as a new weapon of war. In 2016, The New York Times reported at least one in every five suicide bombers deployed by Boko Haram over the previous two years had been a child, usually a girl. The group used 27 children in suicide attacks in the first quarter of 2017, compared to nine during the same period the previous year.

To see all the nominees please visit the 2018 Photo Contest gallery: http://www.worldpressphoto.org/collection/photo/2018 

 

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Venezuelan photographer Ronaldo Schemidt wins World Press Photo of the Year Award

World Press Photo 2018. The Venezuela Crisis.

 

José Víctor Salazar Balza (28) catches fire amid violent clashes with riot police during a protest against President Nicolás Maduro, in Caracas, Venezuela.

President Maduro had announced plans to revise Venezuela’s democratic system by forming a constituent assembly to replace the opposition-led National Assembly, in effect consolidating legislative powers for himself. Opposition leaders called for mass protests to demand early presidential elections. Clashes between protesters and the Venezuelan national guard broke out on 3 May, with protesters (many of whom wore hoods, masks or gas masks) lighting fires and hurling stones. Salazar was set alight when the gas tank of a motorbike exploded. He survived the incident with first- and second-degree burns.

Juan Barreto_Agence France-Presse

3 May 2017 
Víctor Salazar catches fire after a motorcycle explodes, during a street protest is Caracas, Venezuela.

 

Juan Barreto_Agence France-Presse

3 May 2017
Víctor Salazar catches fire after a motorcycle explodes, during a street protest is Caracas, Venezuela.

 

Juan Barreto_Agence France-Presse

3 May 2017
Víctor Salazar catches fire after a motorcycle explodes, during a street protest is Caracas, Venezuela.

 

Juan Barreto_Agence France-Presse

3 May 2017
People try to help Victor Salazar, who caught alight after an explosion during a street protest is Caracas, Venezuela.

 

To see all the nominees please visit the 2018 Photo Contest gallery: http://www.worldpressphoto.org/collection/photo/2018 

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